點(diǎn)擊查看歷史----安妮 ? 德 ? 弗里斯（Anne de Vries）
藝術(shù)家新作處理styrofoam了在“多元文化”的總體中“個(gè)人”的不同概念styrofoam，質(zhì)疑了在公共空間內(nèi)的一種進(jìn)化了的設(shè)計(jì)和建筑思維。安妮·德·弗里斯（Anne de Vries）在作品中呈現(xiàn)了真實(shí)存在的元素與虛擬元素的一次集中——從大型音樂(lè)活動(dòng)里的合成環(huán)境（這揭露了一種依賴于源源不絕的聲音、圖像、光和數(shù)字信息的環(huán)境）styrofoam，到由小型移動(dòng)裝置、耳機(jī)和來(lái)自全球的門(mén)戶網(wǎng)站組成的聯(lián)系緊密的世界。
FORECAST 2011
RESPECT 23-01-93
Ketender Yellow
Ketender campaign studies
Works on water colour paper 140lb/300gsm
Winsor & Newton
760 x 560 mm
2017
TECHNOCRACY
TECHNOCRACY
Campaign for the techno nation
2018
materials: acrylic paint, uv-print, vinyl, aluminum trusst system
Convoy Convo
Convoy Convo
2017
14 min, 4 channel audio piece
fiberglass, Paint, latex, synthetic hair, clothing
A Harder Loving World
Public sculpture at Facade 2017 in Middelburg, The Netherlands
Critical Mass : Pure Immanence at 9th Berlin Biennale and Valentin
Critical Mass : Pure Immanence
Year: 2015
Video: Full HD
Screen 300cm x 135cm
Duration: 11 min loop
Camera, Video edit, Lyrics and Music arrangement by:
Anne de Vries and Q-dance
including:
Surge, Music by Phill Niblock, Thomas Ankersmit playing Serge synthesiser
a.o. to be updated asap
9th Berlin Biennale June 4 – Sept 14 2016
Oblivion
Hardstyle event diorama in a scale of 1:87, presenting several texts produced for this installation.
Materials: sand, stones, wood, plastic, aluminum, paint, PVA, styrofoam, miniature advertisement campaign,
miniature graffiti, miniature truss system, miniature LED projector, miniature Hi-Fi system.
at the kw location in the 9th Berlin Biennale until September 14th, 2016
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版權(quán)歸藝術(shù)家本人所有
資訊來(lái)源styrofoam：E
編輯styrofoam：朮art
